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I'm Pedro Mas and I paint original watercolors, by hand, one at a time

Original watercolors on commission, painted one at a time from my home studio, half an hour from Valencia. Houses, pets, people, places.

I've spent twenty years in graphic design and never stopped painting. A year ago I started taking it seriously.

Pedro holding an original watercolour of a village house façade, painted by hand
La casa de Bienservida · line wash

I come from drawing and design

I did an arts-focused track in high school, then courses in photography, graphic design and web design. That's where my career came from: twenty years composing, laying out, deciding where everything goes. I'm still at it — now also as a founding partner at Piximbi, a marketing agency three friends and I built, each of us from our own craft.

I apply all of that to every commission: the light, the framing, what stays and what's cut, what leads the composition. And on the photography side, I can tell right away whether the photo you send works for a watercolor or whether we should look for another one. I'll tell you before I start, not after.

Pedro Mas, illustrator and graphic designer, having a coffee

Why watercolor

I tried many techniques and settled on watercolor.

Light and color give any piece a finish nothing else comes close to.

And I paint on commission so that photo that got looked at once and buried among ten thousand others on your phone becomes an original piece, painted by hand and hung in your favorite corner. So you can have it in view every day.

My way of painting

The line gives it shape.
The color, layer by layer, adds volume, light and texture.

It's called line wash: first the ink drawing, then the watercolor on top, layer by layer. That's the whole technique.

Original photograph of a dog, the reference for the commission

01 The photo they sent me

Detail of the hand-inked fur of a dog with permanent ink

02 The ink line, before color

First watercolor layers over the ink drawing of a pet portrait

03 The first layers

Pet watercolor portrait half painted, with the brush on the paper

04 The color, layer by layer

Finished and signed watercolor portrait of a dog on cotton paper

05 The finished, signed piece

Framed pet watercolor portrait hanging in the client's home

06 In their home

Professional-quality materials

Paper
Watercolours
Brushes
Inking
Hand-painted colour chart and professional watercolour pans on the work table

Fabriano paper, 100% cotton, 300 gsm. It is expensive and it does not buckle when the water goes on. With bad paper no technique will save the piece.

Winsor & Newton watercolour. Artist pigment, not student grade. The colour holds up to light over the years instead of fading.

Escoda brushes. Made in Barcelona. They are the ones I use for all the colour work.

Sakura Pigma Micron ink. Permanent ink. It does not run when the watercolour goes over it, which is exactly what line wash is about.

Hand-painted colour chart

The work table where Pedro paints his commissioned watercolours

How I work

There's no studio with a team behind it. It's just me.

I read your message, analyze the photo, decide the composition, design the inking, paint it layer by layer, and pack it myself. Before moving to color, I show you the sketch: if something's off, that's when it costs nothing to change.

That's why each piece takes as long as it takes, and why I can't run twenty commissions at once.

The name

Pedro in front of a graffiti wall
We all have grey days. Having "pensamientos de colores" — colored thoughts — is exactly the opposite: looking at things with optimism, with excitement and with warmth. It's not just what this is called, it's what it's about.

Open for commissions

Have a photo you'd like to see painted?

It could be a person, a dog, the family house, or a place you went back to. Tell me about it and I'll let you know what's possible and what it costs.